Queen |
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Queen, 1973 |
Released |
6 July 1973 (UK), 4 September 1973 (US) |
Recorded |
September 1971 at De Lane Lea Studios and January 1972 - January 1973 at Trident Studios |
Length |
38:36 |
Label |
EMI (UK), Elektra (US) |
Producer(s) |
Queen, Roy Thomas Baker, John Anthony, and Louis Austin |
Queen chronology |
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History of this album
Tracklists
Credits
- Freddie Mercury - vocals, piano
- Brian May - guitars, vocals, piano on Doing All Right
- Deacon John - bass guitar
- Roger Meddows-Taylor - drums, percussion, vocals
- John Anthony - additional vocals on Modern Times Rock'n'Roll
Charts
Country
| Release date
| First appearance in charts
| Peak position
| Chart run
| Weeks in chart
| Additional comments
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UK
| -
| 30 March 1974
| 32
| 47-37-0-45-32-0-42
| 5 weeks, 2 not in charts
| First run in UK charts
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UK
| -
| 18 January 1975
| 49
| 49
| 1 week, 6 so far
| Second run in UK charts
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UK
| -
| 17 January 1976
| 24
| 35-33-28-24-40-24-40-43-36-25-46-54
| 12 weeks, 18 weeks grand total
| Third and final run in UK charts. In Top 40 for 11 total weeks.
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USA
| -
| 3 November 1973
| 111
| 195-188-178-167-145-141-128-116-111
| 9 weeks in 1973
| -
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USA
| -
| 5 January 1974
| 83
| 101-98-96-86-83-121-132-136-138-153-165-173-187
| 13 weeks in 1974, 22 weeks grand total
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Information supplied by Fedepeti, 24 August 2004
- Japan: #52, 14 weeks in the chart.
- Holland: did not chart.
- Italy: did not chart.
Liner notes
Representing at last something of what Queen music has been over the last three years, this album was produced by John Anthony, Roy Baker, and Queen at Trident Studios, London, for Neptune Productions, and engineered by Roy Baker, Mike Stone, Ted Sharpe, David Hentschel. (The Night Comes Down recorded by Louis Austin at De Lane Lea Studios.) Our warmest thanks to Mary Lewis, Terry Yeadon, Dave Siddell, Louis Austin, Ken Testi, Peter Edmonds, Micky Russell, John Anthony, Ronnie Beck, Jack Nelson, Maureen Scully, Norman and Barry Sheffield, and all the Trident people. Queen's equipment supervised by John Harris. Queen's photographer: Douglas Puddifoot; Cover design: Douglas, Freddie, and Brian... and nobody played synthesizer.
Singles
Queen Talks
Brian May - 1973, Guitar Magazine
"We like some of the stuff on it, but we sometimes fell into the trap of over-arrangement. You know, the songs changed over the years and some of them probably evolved too much. You can get so far into something that you forget what the song originally was. On a personal level, it was frustrating for me to take so long to get to this point. I wanted to record things with, for instance, tape echoes and multiple guitars five years ago. Now I've finally done it, but in the meantime so have other people! Which is a bit disappointing. But you have to get away from the idea that playing music is a competition. You should just keep on doing what you think is an interesting thing to do."
Roger Taylor - 1974, Sounds
"There are a lot of things on the first album I don't like, though, for example the drum sound. There are parts of it which may sound contrived but it is very varied and it has lots of energy ... but then I think one of the best albums last year was the "Mott" album and that had loads of inconsistencies and rough bits..."
Reviews
Winnipeg Free Press, 1974
Queen is England's latest candidate for superstardom, and don't be surprised if these guys do make it in a big way. Sure, the material is so derivitive it hurts (listen to guitarist Brian May cop riffs from Jimmy Page, Black Sabbath's Tony lomi, Jimi Hendrix and Mick Box and you'll see what I mean), but the group manages to inject such a fresh, energetic touch to most of it that I don't mind a bit. Modern Times Rock 'n' Roll is a direct cop from Led Zeppelin's Communication Break-down, right down to vocalist Freddie Mercury's ability to ape Robert Plant. With its first album, Queen has produced a driving, high energy set which in time may be looked upon with the same reverence Led Zep 1 now receives.
Additional Reviews
Sleeves
USA white label promo gold embossed sleeve LP, 1973
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| Argentina Promo LP (back), 1973
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Czech purple LP (bootleg?), 1992
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Releases
Country
| Format
| Catalog Number
| Comments
| Price
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United Kingdom
| LP
| EMI EMC 3006
| KIP HUGGYPOO KISSY/AGAIN! in runout
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United Kingdom
| LP
| EMI EMC 3006
| HUGGY POO KISSY KISSY/KATHY PAT SUE KIP JOHN RAY in runout
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United Kingdom
| LP
| EMI FA 1040
| Fame reissue
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United Kingdom
| LP
| EMI YAX 4624
| EMI Conference issue, with press release, OFF WITH HIS HEAD/KIP HUGGYPOO KISSY in runout
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United Kingdom
| LP
| EMI YAX 4623-2U/4624-3U
| OFF WITH HIS HEAD/KIP HUGGYPOO KISSY in runout, two one-sided discs, test pressings for EMI Conference issue, no sleeve
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Germany
| LP
| EMI 1C 062 94519
| -
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Germany
| LP
| EMI 1C 072 94519
| -
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France
| LP
| EMI 2C 064 94519
| -
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Italy
| LP
| EMI 3C 064 94519
| -
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Italy
| LP
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| red sleeve
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Netherlands
| LP
| EMI C062 94519
| -
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Netherlands
| LP
| EMI 1A 038 157011
| Fame reissue
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Sweden
| LP
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| -
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Spain
| LP
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| -
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Spain
| LP
| EMI 1J/10C 062 94.519
| 1982 reissue, black/white back, Spanish subtitles
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Spain
| LP
| EMI 056 194 5191
| Fame reissue
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Brazil
| LP
| EMI 31C 064 94519
| -
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Russian Federation
| LP
| RAT N94 30733
| -
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Argentina
| LP
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| sticker, spanish titles
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South Korea
| LP
| EMI EKPL-0282
| with insert
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Singapore Malaysia Hong Kong
| LP
| EMI EMC-3006
| -
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Taiwan
| LP
| Liming LM-2592
| black and white sleeve
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Mexico
| LP
| EMI SLEM-528
| Spanish Titles
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United States
| LP
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| promo, with press sheet
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United States
| LP
| Elektra EKS 75064
| red sleeve, butterfly labels
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United States
| LP
| Elektra EKS 75064
| red sleeve, red labels
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United States
| LP
| Elektra EKS 75064
| red sleeve with gold foil writing, company inner bag, butterfly labels
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Canada
| LP
| Elektra EKS 75064
| red sleeve with gold foil writing
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Japan
| LP
| Elektra P-10118
| red sleeve with OBI and insert
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Japan
| LP
| Elektra P-8427
| red sleeve with OBI and insert
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Japan
| LP
| Elektra P-6550-E
| reissue, with OBI
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New Zealand
| LP
| Elektra EKS 75064
| -
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Czech Republic
| LP
| Globus 210111-1 311
| Fame reissue
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Czech Republic
| LP
| Globus 210111-1 311
| green vinyl, 1992 release
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Czech Republic
| LP
| Globus 210111-1 311
| pink vinyl, 1992 release
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Czech Republic
| LP
| Globus 210111-1 311
| blue with pink/black/white multicoloured vinyl, 1992 release
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Czech Republic
| LP
| Globus 210111-1 311
| blue with green/black/white multicoloured vinyl, 1992 release
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Czech Republic
| LP
| Globus 210111-1 311
| blue with yellow/black/white multicoloured vinyl, 1998 release
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Czech Republic
| LP
| Globus 210111-1 311
| yellow with red/green multicoloured vinyl, 1998 release
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Czech Republic
| LP
| Globus 210111-1 311
| red-purple vinyl, 1998 release
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Venezuela
| LP
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| -
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Chile
| LP
| EMI LDC 36855
| monochrome purple sleeve, black and white back, EMI-Odeon labels
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Chile
| LP
| EMI LDC 36855
| monochrome purple sleeve, black and white back, EMI labels
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