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'''[[Freddie Mercury]], 1976 Kenny Everett Radio Show''' | '''[[Freddie Mercury]], 1976 Kenny Everett Radio Show''' | ||
| - | + | Actually I’d like to say that Brian did do a very good job on the actual guitars. He’s really taken his guitar orchestration to its limits, I don’t know how he’s ever going to out do that one actually. And John played very good bass on that. I think it’s good and we’re patting ourselves on the back again. I really think it’s worked out well especially from the orchestration point of view. Because he’s really used his guitar in a different sort of way, I know he’s done lots of orchestrations before. | |
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| + | '''[[Brian May]], 1982 [http://queenarchives.com/viewtopic.php?t=147 On The Record]''' | ||
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| + | ''Interviewer: "The Millionaire Waltz" must have taken a long time to do? '' | ||
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| + | Oh, yes. You've heard everything right: I think that holds the record. There's one bit in there which is sort or fairground effect in the background. I think there are three octaves for each part, and six parts. I'm not sure but there must be about 18 or 20 guitar tracks. It's a funny sound. It makes a peculiarly sort of rigis sound. I was really surprised. It sounded like a fairground organ. | ||
==Covers== | ==Covers== | ||
Revision as of 18:25, 29 August 2007
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Queen TalksFreddie Mercury, 1976 Kenny Everett Radio Show Actually I’d like to say that Brian did do a very good job on the actual guitars. He’s really taken his guitar orchestration to its limits, I don’t know how he’s ever going to out do that one actually. And John played very good bass on that. I think it’s good and we’re patting ourselves on the back again. I really think it’s worked out well especially from the orchestration point of view. Because he’s really used his guitar in a different sort of way, I know he’s done lots of orchestrations before. Brian May, 1982 On The Record Interviewer: "The Millionaire Waltz" must have taken a long time to do? Oh, yes. You've heard everything right: I think that holds the record. There's one bit in there which is sort or fairground effect in the background. I think there are three octaves for each part, and six parts. I'm not sure but there must be about 18 or 20 guitar tracks. It's a funny sound. It makes a peculiarly sort of rigis sound. I was really surprised. It sounded like a fairground organ. CoversRecorded by:
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