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* Produced by: '''[[Band History | Queen]]''' | * Produced by: '''[[Band History | Queen]]''' | ||
* Musicians: | * Musicians: | ||
- | :'''[[Freddie Mercury]]''' - | + | :'''[[Freddie Mercury]]''' - lead and backing vocals |
- | :'''[[Brian May]]''' - | + | :'''[[Brian May]]''' - guitars, orchestrations, backing vocals |
- | :'''[[John Deacon]]''' - | + | :'''[[John Deacon]]''' - bass guitar |
- | :'''[[Roger Taylor]]''' - | + | :'''[[Roger Taylor]]''' - drums, backing vocals |
* Length: 4:52 | * Length: 4:52 |
Revision as of 18:48, 8 November 2007
Credits
DiscographyAlbums:
Singles:
Alternate Versions:
Queen TalksFreddie Mercury, 1976 Kenny Everett Radio Show Actually I’d like to say that Brian did do a very good job on the actual guitars. He’s really taken his guitar orchestration to its limits, I don’t know how he’s ever going to out do that one actually. And John played very good bass on that. I think it’s good and we’re patting ourselves on the back again. I really think it’s worked out well especially from the orchestration point of view. Because he’s really used his guitar in a different sort of way, I know he’s done lots of orchestrations before. Brian May, 1982 On The Record Interviewer: "The Millionaire Waltz" must have taken a long time to do? Oh, yes. You've heard everything right: I think that holds the record. There's one bit in there which is sort or fairground effect in the background. I think there are three octaves for each part, and six parts. I'm not sure but there must be about 18 or 20 guitar tracks. It's a funny sound. It makes a peculiarly sort of rigis sound. I was really surprised. It sounded like a fairground organ.
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