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There are few reasons to buy the compilation: the single edit of [[Heaven For Everyone (Queen song) | Heaven For Everyone]] is finally available, and a more widespread release of [[Thank God It's Christmas]] (inexplicably labeled as a bonus track) is appreciated, and the few legitimate hits present – those from [[Made In Heaven (Queen album) | Made In Heaven]], [[These Are The Days Of Our Lives]], and [[Las Palabras De Amor (The Words Of Love)]] – certainly deserve to be heard. Other than that, ''Greatest Hits III'' stands as a total failure; while this author generally tries to remain completely objective and unbiased, he has taken the same route as Queen did with this compilation and broken tradition. In simple terms, ''Greatest Hits III'' is the dregs of a barrel being scraped dry. Had some actual thought gone into the compilation, with more emphasis on the "forgotten" singles from Queen's past, this would have been a rather decent collection, but it only confirmed that any old thing with the Queen name slapped on it can suddenly pass as worthwhile, while the long-awaited anthology projects and any live concerts from the 1970s still collect dust. | There are few reasons to buy the compilation: the single edit of [[Heaven For Everyone (Queen song) | Heaven For Everyone]] is finally available, and a more widespread release of [[Thank God It's Christmas]] (inexplicably labeled as a bonus track) is appreciated, and the few legitimate hits present – those from [[Made In Heaven (Queen album) | Made In Heaven]], [[These Are The Days Of Our Lives]], and [[Las Palabras De Amor (The Words Of Love)]] – certainly deserve to be heard. Other than that, ''Greatest Hits III'' stands as a total failure; while this author generally tries to remain completely objective and unbiased, he has taken the same route as Queen did with this compilation and broken tradition. In simple terms, ''Greatest Hits III'' is the dregs of a barrel being scraped dry. Had some actual thought gone into the compilation, with more emphasis on the "forgotten" singles from Queen's past, this would have been a rather decent collection, but it only confirmed that any old thing with the Queen name slapped on it can suddenly pass as worthwhile, while the long-awaited anthology projects and any live concerts from the 1970s still collect dust. | ||
+ | |||
+ | In this author's humble opinion, this release could be made exponentially better by the listener compiling the album thusly: | ||
+ | |||
+ | # [[Princes Of The Universe]] | ||
+ | # [[Tie Your Mother Down | Tie Your Mother Down (single edit)]] | ||
+ | # [[Heaven For Everyone (Queen song) | Heaven For Everyone (single edit)]] | ||
+ | # [[Too Much Love Will Kill You (Queen song) | Too Much Love Will Kill You]] | ||
+ | # [[Las Palabras De Amor (The Words Of Love)]] | ||
+ | # [[Let Me Live]] | ||
+ | # [[Spread Your Wings]] | ||
+ | # [[Pain Is So Close To Pleasure | Pain Is So Close To Pleasure (single remix)]] | ||
+ | # [[Body Language]] | ||
+ | # [[Back Chat | Back Chat (single remix)]] | ||
+ | # [[You Don't Fool Me]] | ||
+ | # [[Calling All Girls]] | ||
+ | # [[Scandal]] | ||
+ | # [[Thank God It's Christmas]] | ||
+ | # [[A Winter's Tale]] | ||
+ | # [[No One But You (Only The Good Die Young)]] | ||
+ | # [[These Are The Days Of Our Lives]] | ||
+ | # [[Love Of My Life | Love Of My Life (live)]] | ||
+ | |||
+ | It may eschew the arbitrary rule of only Top 40 singles, but at least there aren't any hideous remixes, special guest live performances, or out-of-place solo hits; in other words, it's a proper Queen compilation, instead of the start of the never-ending "Queen +" debacle that continues to this day. | ||
==Tracklists== | ==Tracklists== | ||
- | {| | + | :{| |
|valign="top" style="width:500px;"| | |valign="top" style="width:500px;"| | ||
'''CD version''' | '''CD version''' | ||
Line 49: | Line 72: | ||
==Credits== | ==Credits== | ||
- | * Musicians: | + | :* Musicians: |
- | : '''[[John Deacon]]''' - bass guitar, keyboards | + | :: '''[[John Deacon]]''' - bass guitar, keyboards |
- | : '''[[Brian May]]''' - guitars, vocals, keyboards | + | :: '''[[Brian May]]''' - guitars, vocals, keyboards |
- | : '''[[Freddie Mercury]]''' - vocals, piano, keyboards | + | :: '''[[Freddie Mercury]]''' - vocals, piano, keyboards |
- | : '''[[Roger Taylor]]''' - drums, percussion, vocals, keyboards | + | :: '''[[Roger Taylor]]''' - drums, percussion, vocals, keyboards |
==Additional info== | ==Additional info== | ||
- | * Info | + | :* Info |
==Reviews== | ==Reviews== | ||
- | * Reviews | + | :* Reviews |
==Sleeves== | ==Sleeves== | ||
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|- | |- | ||
|valign="top"|[[Image:GhIIIcd2.jpg|thumb|150px|left|UK CD]] | |valign="top"|[[Image:GhIIIcd2.jpg|thumb|150px|left|UK CD]] | ||
- | |valign="top"|[[Image:GhIIIrevcd2.jpg|thumb|150px|left|UK CD back]] | + | |valign="top"|[[Image:GhIIIrevcd2.jpg|thumb|150px|left|UK CD (back)]] |
|valign="top"|[[Image:GhIIICassRussia.jpg|thumb|100px|left|Russia Cassette, Gala Records]] | |valign="top"|[[Image:GhIIICassRussia.jpg|thumb|100px|left|Russia Cassette, Gala Records]] | ||
- | |valign="top"|[[Image:GhIIICassRussia2.jpg|thumb|100px|left|Russia Cassette back, Gala Records]] | + | |valign="top"|[[Image:GhIIICassRussia2.jpg|thumb|100px|left|Russia Cassette (back), Gala Records]] |
|} | |} |
Current revision as of 20:15, 26 April 2014
Queen had a tradition of issuing greatest hits compilations every ten years, offering a retrospective on the singles they released during that period. Because Freddie died in November 1991, shortly after the release of the second edition, and only one posthumous album and a tribute single by the surviving members appeared since then, some concessions had to be made in time for Queen's third greatest hits collection. However, this time, huge errors were made, the first being that this compilation appeared in November 1999, a full two years before it should have. Strike one. Another (this time arbitrary) tradition had been to issue only UK singles that reached the Top 30. This meant that Tie Your Mother Down, Spread Your Wings, Love Of My Life (live), and Back Chat were all absent from the compilation. Surely, some exceptions could have been made, so as to offer an album that felt more like a Queen album, instead of the haphazard mess that Greatest Hits III became? At the very least, Flick Of The Wrist (technically a #2 hit, considering it was a double A-side with Killer Queen), Body Language, Scandal, and A Winter's Tale should have been included. Strike two. Instead, what Queen fans are left with is a sorry excuse for a compilation, sullying the otherwise spotless reputation that its elder companions have afforded it. While the presence of a remix of Under Pressure, featuring newly-recorded instrumental bits from Brian and Roger, was appreciated, it wasn't a hit single until a month after it first appeared on the album. On top of that, what were solo singles doing on the compilation? The band had always made a deliberate effort to keep their solo careers separate from Queen, so the fact that four solo singles graced the album was downright offensive. And while the rap remix of Another One Bites The Dust was technically a hit single, it should have been reserved, say, for a separate "Queen+" compilation, that would also have featured the George Michael rendition of Somebody To Love, as well as anything else that may have fallen under such a header. Strike three, yer out! There are few reasons to buy the compilation: the single edit of Heaven For Everyone is finally available, and a more widespread release of Thank God It's Christmas (inexplicably labeled as a bonus track) is appreciated, and the few legitimate hits present – those from Made In Heaven, These Are The Days Of Our Lives, and Las Palabras De Amor (The Words Of Love) – certainly deserve to be heard. Other than that, Greatest Hits III stands as a total failure; while this author generally tries to remain completely objective and unbiased, he has taken the same route as Queen did with this compilation and broken tradition. In simple terms, Greatest Hits III is the dregs of a barrel being scraped dry. Had some actual thought gone into the compilation, with more emphasis on the "forgotten" singles from Queen's past, this would have been a rather decent collection, but it only confirmed that any old thing with the Queen name slapped on it can suddenly pass as worthwhile, while the long-awaited anthology projects and any live concerts from the 1970s still collect dust. In this author's humble opinion, this release could be made exponentially better by the listener compiling the album thusly:
It may eschew the arbitrary rule of only Top 40 singles, but at least there aren't any hideous remixes, special guest live performances, or out-of-place solo hits; in other words, it's a proper Queen compilation, instead of the start of the never-ending "Queen +" debacle that continues to this day. Tracklists
Credits
Additional info
Reviews
Sleeves |